MP3s
and Piracy:
This
is a faux-dialogue I created for a friend's website that is based
on a composite of different arguments I have had with advocates
of intellectual looting, aka "file sharing". My responses
to the purple "questions" are in grey.
I
really like capitalism and freedom! I mean where else but America
could a college student create a brilliant application like Napster
and become an overnight millionaire, simply by recognizing the
demands of listeners and catering to them?
Um, that
ain't capitalism, that's looting. Capitalism can offer a lot of
value and make your life better, but it can't provide goods or
services without recognizing the rights of those who produce them.
Only slavery can do that.
So
you're saying Napster is slavery? That's absurd!
If by
"absurd" you mean "ridiculously accurate",
then yes, you're right.
I
mean no one is standing over these musicians and record executives
and yelling "put yo' back into it boy!". They choose
to sell CDs. If I buy a CD, it's mine to use as I choose, that's
what freedom is all about. I should be free to make copies for
myself and my friends- It's not like I'm profiting from file-trading,
I'm just sharing. You're saying I should be forcibly enjoined
from sharing?
Most
definitely. Or more to the point, you can't "share"
that to which you yourself have no right. Whether you benefit
from it or not, there is no question you are violating the rights
of the producers when you "share" or make unauthorized
copies of songs. When you buy a CD, you buy the rights to one
single copy of that work, to listen to and play for whomever
you choose (depending on the stipulation of the copyright). The
artist, the producers, and all others with whom they contract
to bring the product to market are responsible for bringing the
product into existence. Therefore, the copyright holders, and
no one else, get to decide the terms under which they will offer
the product. If you don't like the terms of the agreement, you
are free not to buy the CDs, but you don't get to negotiate a
"trade" with another individual without regard to his
terms. What would that be, if not stealing?
What
about freedom of speech? Doesn't file-sharing constitute a type
of speech? What about derivative works that still contain an enormous
amount of creative work? How can I express myself if I'm constantly
in danger of copyright infringement?
If you're
constantly running afoul of copyrights in your attempts to create
something original, you probably never had much to "express"
in the first place. Your freedom of expression does not give you
the right to sacrifice someone else's interests. You have the
right to speak, but you don't have the right to use my house,
my microphone, or a brilliant new system of sound transmission
of my invention to say what you want to say. In the same sense,
you don't have the right make a Broadway musical based on Ayn
Rand's Atlas Shrugged without her or her heirs' consent. You may
have poured your heart and soul into such a work, but that is
beside the point. If you build a house on my property, I have
every right to tear it down, no matter how much work you put into
it. Likewise, I have every right to sue you if you sample or copy
my music to support your "expression". If your expression
does in fact depend on the work of others, then you had better
respect their rights and their autonomy.
What
about the record companies, do they respect the rights of the
artists? Those artists don't have control of their works, they
are forced to give up all ownership to the huge media conglomerates.
The artists themselves barely get to break even.
So by
stealing music, you will help make the system more just? In fact,
musicians are free not to deal with record companies. They can,
and do, release their music independently and sometimes fare better
than their major label counterparts. However, many musicians recognize
that they are better off in a modern industry where economies
of scale and division of labor confer a huge benefit, than in
a cottage industry where a few tireless individuals run themselves
ragged trying to master every aspect of an enormously complex
industry. And, get this, they are perfectly free to trade the
rights to their songs in return for huge advances and the possibility
of fame and fortune. Just as the right to your life must include
the right to end your life, the right to property includes
the right to trade, dispose of or even recklessly destroy that
property.
What
about the bigger picture? Copyright laws were originally introduced
in this country to encourage creative productivity and scientific
progress for the public good. Doesn't file-sharing contribute
to the overall development of culture?
Didn't
slavery contribute to the overall development of culture? Was
Stalin's mass murder and starvation of millions of Russian citizens
not rationalized by an appeal to public interest? Whatever the
legal history of copyright laws, their moral justification lies
in that they are intellectual property rights and that,
like all property rights, they are fundamental to individual rights.
The spread of ideas, the advancement of science, etc. are only
good in so much as they benefit individuals. They are not
absolute goods, to be pursued for some at the expense of others
for the sake of society.
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